Over 2,500 years ago, Confucius laid the groundwork for a philosophy that would profoundly influence Chinese society for centuries. Known as Confucianism, this philosophy's impact extends globally, including among Chinese Americans, whose journey reflects the interplay between traditional Confucian values and American life. At its core, Confucianism emphasizes principles like Ren (Benevolence), Li (Propriety), and Xiao (Filial piety), which are crucial for social harmony and moral character. It also underscores hierarchical relationships as foundational for societal stability (Smith, 1991; Weiming, 2018). In the early days of Confucianism, “The community that Confucius created was a scholarly fellowship of like-minded men of different ages and different backgrounds from different states. They were attracted to Confucius because they shared his vision and to varying degrees took part in his mission to bring moral order to an increasingly fragmented world. That mission was difficult and even dangerous. Confucius himself suffered from joblessness, homelessness, starvation, and occasionally life-threatening violence. [However,] his faith in the survivability of the culture that he cherished and the workability of the approach to teaching that he propounded was so steadfast that he convinced his followers and himself that heaven was on their side” (Weiming, 2018). Some Americans might view this worldview as misogynistic and sexist, given its emphasis on hierarchical relationships and the traditional gender roles it reinforces. However, it is crucial to recognize that Confucianism, like many ancient philosophical systems, emerged from a historical context vastly different from contemporary gender equality standards. “Modern life has moved so far from the tradition-bound life of tribal societies as to make it difficult for us to realize how completely it is possible for [traditions] to be in control”(Smith, 1991). Many of the earliest Chinese immigrants to the United States arrived in the mid-19th century and often came from rural China, where these teachings were deeply ingrained in the cultural and social fabric. The emphasis on filial piety and hierarchical relationships within the Confucian tradition shaped how these immigrants approached family and community life in the United States. According to Chao's study (2000), “by controlling for mothers' scores on the authoritative and authoritarian scales, the salience of the training parenting style was demonstrated above and beyond the authoritative and authoritarian styles for immigrant Chinese mothers in comparison with European American mothers. Even after controlling for mothers' levels of [authoritarianism], Chinese mothers were still higher on the training parenting style than European American mothers. Thus although there may be some overlap between Baumrind's authoritarian concept and [Chiao Shun], the authoritarian concept does not capture all or even most of the important features of the Chinese parenting style [and it therefore may] be insufficiently characterizing or underestimating the impact of Chinese mothers on their children's achievement.” First-generation immigrants often maintained strong ties to their extended families in China and sought to pass on Confucian values to their children. However, many families, especially the younger generation, faced challenges reconciling traditional values with the realities of American life. The individualistic culture of the United States, emphasizing personal freedom and autonomy, sometimes clashed with the collectivist values promoted by Confucianism. For Chinese Americans, navigating this cultural tension required a delicate balance between honoring their heritage and adapting to their new environment. While some aspects of Confucianism, such as filial piety and respect for elders, remained deeply ingrained in Chinese American communities, others underwent adaptation or reinterpretation in light of their experiences in America. The perceived “foreignness” of Confucian values often led to discrimination and exclusion, as Chinese Americans were seen as unwilling or unable to assimilate into the dominant American culture. “In the American view of Chinese culture and China as a country, there is a pervasive sense of American superiority and Western centrism. Christianity, American interests, and the patriarchy influence how America interprets Confucian thought, Chinese culture, and China itself, shaping their attitude towards China and the Chinese people”(DeepChin, 2024). This discrimination manifested in various forms, from the Chinese Exclusion Act of 1882, which severely restricted Chinese immigration, to the widespread anti-Chinese sentiment that led to violence and economic marginalization. “Movies, because of their visual nature, caused an emotional impact on those who watched them. Chinese Americans in the movies were first portrayed in the 1920s as comic relief characters and almost always were played by European Americans wearing Chinese-style clothing and hairstyles. They were stereotyped and portrayed as opium smokers, kidnappers, and murderers, therefore reinforcing fear of Chinese threat to audiences. In 1934, Anna May Wong was the first Asian American star in Hollywood. However, she and other Chinese Americans were cast in supporting roles such as cooks, servants, laundrymen, and gangsters and thus were unable to escape the racial stereotypes embedded in the society for so long” (Airale, 2019). These representations have some truth, though, as Confucianism heavily supports servitude-based roles for women. The Confucian belief in the importance of education to cultivate moral character and achieve social mobility has been a driving force for many Chinese American families, contributing to their high academic achievement and professional success. Additionally, these achievements allow for them to overcome the barriers and discrimination they have faced. However, it has also led to the perpetuation of the "model minority" myth, which can oversimplify the diverse experiences and challenges faced by the Chinese American community. The Model Minority myth portrays Asian Americans as a monolithic group that has achieved universal success through hard work and cultural values while downplaying the systemic barriers and discrimination they face. For example, many Chinese American parents strongly emphasize academic achievement and professional success to honor their families and fulfill their filial duties. This focus on education can create high expectations and pressure for Chinese American children, who may feel a sense of obligation to excel academically, leading to burnout in some cases, especially for those who are neurodivergent or highly sensitive to pressure and criticism, including myself. This pressure can have detrimental effects on mental health and well-being, contributing to anxiety, depression, and other stress-related disorders among Chinese American youth. Young Chinese Americans have frequently tried to reinterpret and modify these principles to match their realities. New kinds of Chinese American identity have emerged due to this process of adaptation and reinterpretation; these identities combine ancient Confucian principles with American ideals and customs. For instance, as shown in films like "Crazy Rich Asians" and "Shang-Chi and the Legend of the Ten Rings," some Chinese Americans have attempted to balance and combine the American focus on individual liberty and self-expression with the Confucian emphasis on filial devotion. However, the expanding impact of many cultural and religious traditions and the inflow of immigrants from various areas of China has also resulted in a more diverse Chinese American population. This led to the development of tight-knit Chinese American communities, often centered around family, religious, and cultural institutions that have served as sources of support, identity, and resistance against discrimination. Take, for example, the Ng Shing Gung Altar in San Jose. The altar was a focal point for religious and cultural activities, allowing Chinese Americans to connect with their spiritual beliefs and traditions. Altars like Ng Shing Gung play a vital role in maintaining a sense of community and belonging for Chinese Americans, providing a place to worship, celebrate festivals, and participate in cultural events. These spaces also serve as repositories of cultural knowledge and practices, passing down traditions from generation to generation. Bibliography and References
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Hi everyone, this is Zena. It's been a while since my last update blog post. I've been doing pretty well, and I'm excited to share some of the things that have been happening in my life lately.
First and foremost, I want to express my gratitude for all the support and encouragement I've received from you, my readers, during my absence. Your kind words and messages have meant the world to me. It's heartwarming to know that my content resonates with so many of you. I've been focusing on personal growth and exploring new avenues of self-discovery. I've been doing quite a lot of volunteer work in social media and Chinese American history, and it has been an incredibly fulfilling journey so far, allowing me to dive deeper into various topics that captivate me. On a personal note, I've been making an effort to prioritize self-care and well-being. Taking time for myself has been crucial in maintaining a healthy work-life balance. While there have been plenty of positive experiences, I've also faced my fair share of challenges. Life has its way of throwing curveballs when we least expect them. However, I firmly believe that setbacks are opportunities in disguise. They have taught me valuable lessons, instilled resilience, and motivated me to keep pushing forward. Once again, thank you for your continued support. Remember, life is a beautiful journey, and we're all in this together. Let's embrace it with open hearts and curious minds. Sending you love and positivity, Zena Airale Hi! It's been awhile since I've last posted something onto my blog. I'm happy to announce that I'm currently working on the second installment of my poetry collections! Currently, the working title is Beyond. This collection pays tribute to the many different fandoms that have inspired me over the years, and continues to explores themes of imagination, identity, and the search for meaning in a complex world.
I'm really excited about this project because it feels like a culmination of all my passions and interests. Writing poetry has always been a way for me to express myself and connect with others on a deeper level, and combining that with my love for various fandoms feels like the perfect match. It's definitely been a challenge to balance my writing with my other commitments, but I'm determined to make this collection the best it can be. I've been working on it for several weeks now, and I feel like I'm starting to hit my stride. I've been experimenting with different styles and formats, and I think readers will be pleasantly surprised by some of the unexpected twists and turns in the poems. One of the things that's been really important to me as I work on this collection is making sure that it's not just a celebration of fandoms, but also a way to explore deeper themes and issues. I want readers to be able to connect with the emotions and ideas behind the poems, even if they're not familiar with the specific shows, movies, or books that inspired them. To that end, I've been trying to make sure that each poem in the collection has its own unique voice and message. Some of them are more personal and introspective, while others are more fantastical and whimsical. But all of them, I hope, will speak to something universal and human. Overall, I'm just really grateful to be able to work on this project and share my poetry with the world. It's been a challenging and rewarding experience so far, and I can't wait to see where it takes me next. Hey everyone! It's been a little while since the last time I posted on my blog!
I'm happy to announce that my first poetry book is out, called Little Bits of Me, and should be coming to physical copies in a few days. Here's the synopsis: A series of poems encapsulating Zena's first twenty-one years, from the innocence of childhood to the pain of trauma. Her words capture the raw and intense emotions that arise while navigating love, loss, and the challenges of growing up. Through her artful expression, Zena invites readers to join her on a path of self-discovery, as she grapples with joys and sorrows, while still finding meaning and beauty in the midst of it all. Amazon Kindle Link: https://www.amazon.com/dp/B0BX1QYJZW Amazon Paperback: https://www.amazon.com/dp/B0BW36MH4G Green is the leaved cattails and plants sprawling the marsh.
Green is the sparkly energy orbs summoned by Ninjago’s chosen one. Green is the weeds that annoy gardeners to no end. Green is the short stickly grasses donning the lawn. Green is the webbed, holed leaves stretching over the trickling creek. Green is the plastic and metal accents on the playground, waiting for children to frolic atop them. Green is the long, thin leaves airily rustling as wind rushes past. Sometimes it's too much
Sometimes things scare me Sometimes... Sometimes... Sometimes... Clouds swirl in my mind It's like a tornado in there Sometimes I wonder if I'm home Sometimes I think things could be different If I'd lived in another time Another life I imagine myself...
As a young woman, Able to support myself Starting a family United in marriage Strong in my faith. I imagine myself... Doing what I love, Being independent, My own person, Sharing what I’ve learned. I was... Lively, Carefree, Joyful. I am... Empathetic, Kind, Supportive. I want to be... Independent, Hardworking, Happy with who I am: The person God means for me to be. And I’m loving every second of it. It's been awhile since I've done an update on my original story Operation: Respawn. I've recently gotten an Inkarnate account, and I finished a version of the map of Diyaura (which I plan to commission someone to create a more personalized version of later), shown below. Additionally, I'm four chapters into my first draft. I'm not sure yet how long I want to make the story, but I've been considering 23 chapters, as someone in the Ninjago fandom wrote a story that long. It's still quite early in the writing process, so it's still up in the air.
Hey everyone! We're finally taking auditions for the production team for Prosecution: The Animated Series, and I'm excited to see where the process leads me next. I've been chatting with SailTheMarigold, one of the Head Scriptwriters, and we've made a Casting Call Club page for the series!
https://www.castingcall.club/projects/prosecution-season-one I'm a big fan of Girls Make Games' The Negatives. I thought, 'since I've improved a lot in my graphic design skills, why not revamp the logo for the team?' and that's exactly what I did! And here's the old version for comparison:
They said women couldn’t change the world.
But we know our limits. And all of the world is our home. We’re here and not going anywhere So why not make the most of it. Some will stay in the shadows, While others reach out on their behalf And one day, if we work together We’ll find the light at the end of the cave They tried to stop us. To tell us that we couldn’t be what we wanted to be. But we are so much more than They ever could have imagined. And even when they did notice us, We didn’t back down. We stood together as one. So, for the past few years I've begun concepting an original novel and story based off my personal experiences, entitled Operation: Respawn.
Novel Synopsis: Eighteen-year-old video game fanatic Lana Mei's mother died only three years ago. Stricken with grief from the loss and feeling supposedly unwanted in her father's eyes, she tries to stay the trauma the only way she knows how: building her own world where she feels as if she truly belongs. Torn between two realities, her loyalties are tested, relationships are formed, and boundaries are broken. And I'm pleased to announce that the story has an official logo, as well as merchandizing! Merch can be found at this link, along with merchandise from other Raykazai Productions' projects: www.redbubble.com/people/RKZPOfficial/shop?anchor=profile&asc=u It's almost the end of the year, and I've been so grateful to meet the people that I have, especially SOTE, the person I founded Realm of Harmony with, as well as the people in my community, most of which are from the LEGO Ninjago fandom!
A little more than 4 years ago, I had the idea of starting Ninjago: The Musical. One thing led to another and going into the Ninjago fandom, I was not expecting to get where I am today, with many, many people becoming involved with the Realm of Harmony project as time went by. I'm still speechless that we got Deven involved in the Council Anthem, and possibly more to come! I still remember me and SOTE on a call when they revealed that he was going to join in, and we were freaking out. We also joined up our Ninjago Alternate Universes, and recently I made the decision to call back to some stories I wrote so, so many years back. We recently opened Realm of Harmony up to other fandoms besides Ninjago. Additionally, I was able to start expanding to original projects as well. From joining the metal band Krystal Kultists to starting Prosecution: The Animated Series, and continuing to write my original story Operation: Respawn. I'm so excited to see where this journey leads me next! Thank you again for supporting me in my ventures, and I hope you all have a restful holiday. Sincerely, Zena Airale It was majorly overhyped. A lot of the things that we thought would be significant ended up being throwaway gags or only mentioned a small duration of the time we thought it would be. It’s so cool to see the Overlord having an actual motivation to do the things he does, and I like him as a character a lot more because of it. I adore the callbacks to old soundtracks and seasons, and it doesn’t seem forced, considering it’s meant to be a wrapup of the entire saga. I sort of like Harumi; I like Cube’s headcanon regarding her being so used to abusing Lloyd she can’t do anything else. I thought it was cool how everything, including the devourer was tied back to the Overlord. The council is fun, I love their interactions, wish we got to see more of them though. The way that the citizens get crystalized is super creepy, and I like how dark they’re willing to go with all this. I love the dynamic between Lloyd and Garmadon, it doesn’t feel that rushed, and it pulls on my heartstrings like A LOT. I didn’t really like Garmadon’s fakeout death, although the scene was really emotional. It’s cool to see Skylor again. McBrag and Mayor Trustable can be a bit annoying at times, but they’re pretty entertaining. It was cool to see all the other allies returning. I wish we saw Lloyd use his Oni form more, or maybe even combining his powers with the dragon side of him, doing what the FSM couldn’t do, achieving the balance of both of his heritage. Overall, this season was enjoyable though, and I'm more interested over what the season implies for my stories.
Feel free to check out this document for my thoughts and more up-to-date thoughts on other seasons and the movie: https://docs.google.com/document/d/1xX3QodjQzDnGwLs_GMHfDEV2yEczvZrm2mNjCrpX5V0/edit And check out here for my thoughts on what the show means to me: https://docs.google.com/document/d/18e69YY8xM3mblqlsjzvxrK6HteN-Ig4iZQz3i5EstZU/edit It was the year 2020. Two minds created an idea... Yozakame noticed there were two types of Ninjago fans... The Creators, Artists, Writers, Memers, MOC-ists, etc... And the Leakers, Analyzers, Newscasters, and Discussers, etc... Yozakame and Zena Airale had the idea to create a Discord server to unite both sides of the fandom. Though the idea was in works for a while, it was in October of 2022, after the main saga had ended, that Zena decided to make the idea a reality. Introducing... Ninjago United: The Ultimate Ninjago Fandom Discord! |
AuthorHi, I'm Zena, I'm a multimedia fangirl and mental health and neurodiversity advocate Archives
July 2023
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